The Art of Improving the Voice and Ear: And of Increasing Their Musical Powers, on Philosophical Principles; Adapted to Public Speakers, Musicians, and Actors, and Particularly Useful for the Instructors of Youth (Classic Reprint)

Excerpt from The Art of Improving the Voice and Ear: And of Increasing Their Musical Powers, on Philosophical Principles; Adapted to Public Speakers, Musicians, and Actors, and Particularly Useful for the Instructors of Youth It must he confessed, that between such instru ments and the voice, there is no very evident re semblance; for though the sound of the voice is produced by the vibration of air in the tube of the wind-pipe, yet there is nothing analogous to the mouth-piece of the instrument, and the sound does not apparently depend much on the physical nature of the substance of the throat. The substances, indeed, composing the wind-pipe and the parts about the throat, are too soft and inelastic to rank as sonorous bodies.

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