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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This work wants to explore a relatively new field, that is, that of the jazz accordion. The level of reference is for those who already have sufficient mastery of the instrument, as well as basic knowledge of major and minor scales, tonality, intervals, chords, in order to start a course in this specific field, so one can organize one's studies. The work is basically articulated in three parts. The first is dedicated to the basic technique, through exercises on musical scales, arpeggios, finger independence, thumb passage. The second, instead, deals with various arguments of functional harmony through the use of the seventh chords with respective inversions, the practice of II-V-I cadences, voicings, modes, and scales used in jazz. The last part consists in the creative application of the technical-theoretical baggage acquired through the construction of appropriate performances and improvisations of standard jazz and blues.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This work wants to explore a relatively new field, that is, that of the jazz accordion. The level of reference is for those who already have sufficient mastery of the instrument, as well as basic knowledge of major and minor scales, tonality, intervals, chords, in order to start a course in this specific field, so one can organize one's studies. The work is basically articulated in three parts. The first is dedicated to the basic technique, through exercises on musical scales, arpeggios, finger independence, thumb passage. The second, instead, deals with various arguments of functional harmony through the use of the seventh chords with respective inversions, the practice of II-V-I cadences, voicings, modes, and scales used in jazz. The last part consists in the creative application of the technical-theoretical baggage acquired through the construction of appropriate performances and improvisations of standard jazz and blues.