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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
J. M. Coetzee, a postmodern South African author, contributed to the standardization of postmodern fiction with his fifth novel, Foe (1986), which it is a re-writing of Daniel Defoe's novel Robinson Crusoe (1719). However, Coetzee's novel Foe treats the mechanism of narrative writing through re-writing; it is a mode of writing that is known to be postcolonial aspect is considered postmodern narratological technique. Therefore, I intend to explicate Coetzee's narratological methods in the narrative writing by examining the narrational attitudes of Foe's first-person female narrator, Susan Barton, who self-consciously reflects upon her story of Cruso's island as a recollected history by making her role in telling her island story, a part of a larger framed story.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
J. M. Coetzee, a postmodern South African author, contributed to the standardization of postmodern fiction with his fifth novel, Foe (1986), which it is a re-writing of Daniel Defoe's novel Robinson Crusoe (1719). However, Coetzee's novel Foe treats the mechanism of narrative writing through re-writing; it is a mode of writing that is known to be postcolonial aspect is considered postmodern narratological technique. Therefore, I intend to explicate Coetzee's narratological methods in the narrative writing by examining the narrational attitudes of Foe's first-person female narrator, Susan Barton, who self-consciously reflects upon her story of Cruso's island as a recollected history by making her role in telling her island story, a part of a larger framed story.