Given a disposition to enter into controversies on art questions, provoked by the general incompetence of the newspaper critics of that day, and the fact that there was at that time no publication in America devoted to the interests of art, it happened naturally that I was drawn into correspondence with the journals on art questions, and easily made for myself a certain reputation in this field. I obtained the position of fine-art editor of the Evening Post, then edited by W.C. Bryant, a position which did not interfere with my work in the studio.