I had one curious experience in writing Gladys Fane that may or may not be common to most novelists. Certain of the characters were founded upon real men and women. I painted no portraits, of course, but I undoubtedly took hints from people whom I knew. My heroine, for example, had a prototype in real life, who served for the first sketch, but as I wrote I made her character develop until she was a wholly different woman from her model. Black, criticising the story in a letter, remarked that the further the heroine was removed from all likeness to the original, the more natural and real she became.