Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Eneas Sweetland (E. S.) Dallas (1828-1879) was a journalist who worked for The Times among other publications and whose interest in psychology and love of poetry led to his writing the two-volume - though he originally intended four - The Gay Science, published in 1866. The work takes its title from an expression used by Provencal troubadours to describe the art of composing poetry, and the volumes are concerned with the unclear and often shifting boundaries between art and science and whether they can be reconciled. Volume 2 considers this question in relation to pleasure: what it is, the historical and philosophical understanding of this emotion and sensation, whether it should be pursued, and its relation to artistic production. The remainder of the book looks at the issue of the ethics of art and the nature of artistic enterprise, as well as the changing stance of the viewer.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Eneas Sweetland (E. S.) Dallas (1828-1879) was a journalist who worked for The Times among other publications and whose interest in psychology and love of poetry led to his writing the two-volume - though he originally intended four - The Gay Science, published in 1866. The work takes its title from an expression used by Provencal troubadours to describe the art of composing poetry, and the volumes are concerned with the unclear and often shifting boundaries between art and science and whether they can be reconciled. Volume 2 considers this question in relation to pleasure: what it is, the historical and philosophical understanding of this emotion and sensation, whether it should be pursued, and its relation to artistic production. The remainder of the book looks at the issue of the ethics of art and the nature of artistic enterprise, as well as the changing stance of the viewer.