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Lotte Lehmann ranks among the most celebrated singers of the twentieth century. She was a favorite of Richard Strauss, and also had a famous encounter with Hermann Goering, in which he claimed to want to make her the foremost singer in Nazi Germany. By the time of her final performance in 1951, she was considered one of the finest singing actresses of all time. Rather than a traditional biography, this book is both a descriptive narrative of Lehmann’s life and a critical analysis of the interconnections of the artist and society. Kater describes the varying phases of Lehmann’s life, as well as the sociocultural settings in which she finds herself - whether in the Wilhemine Empire, First Austrian Republic, Nazi Germany, or the United States. Kater’s use of Lehmann’s personal and other papers reshapes much of what is known about her life and career.
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Lotte Lehmann ranks among the most celebrated singers of the twentieth century. She was a favorite of Richard Strauss, and also had a famous encounter with Hermann Goering, in which he claimed to want to make her the foremost singer in Nazi Germany. By the time of her final performance in 1951, she was considered one of the finest singing actresses of all time. Rather than a traditional biography, this book is both a descriptive narrative of Lehmann’s life and a critical analysis of the interconnections of the artist and society. Kater describes the varying phases of Lehmann’s life, as well as the sociocultural settings in which she finds herself - whether in the Wilhemine Empire, First Austrian Republic, Nazi Germany, or the United States. Kater’s use of Lehmann’s personal and other papers reshapes much of what is known about her life and career.