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I am black–and brown, too, writes Emily Bernard. Brown is the body I was born into. Black is the body of the stories I tell.
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop while taking graduate studies at Yale, marrying a white man from the north and bring him home to her family, adopting two babies from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays goes beyond a narrative of black innocence and white guilt and sets out to discover a new way of telling the truth as the author has lived it. Blackness is an art, not a science. It is a paradox- intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably … Race is the story of my life, and therefore black is the body of this book.
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I am black–and brown, too, writes Emily Bernard. Brown is the body I was born into. Black is the body of the stories I tell.
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop while taking graduate studies at Yale, marrying a white man from the north and bring him home to her family, adopting two babies from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays goes beyond a narrative of black innocence and white guilt and sets out to discover a new way of telling the truth as the author has lived it. Blackness is an art, not a science. It is a paradox- intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably … Race is the story of my life, and therefore black is the body of this book.