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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Pit is a novel by Alexander Kuprin published in installments between 1909 and 1915, in Zemlya almanacs (1909 - Vol.3, 1914 - Vol.15, 1915 - Vol.16). The book, centering on a brothel, owned by a woman named Anna Markovna, caused much controversy in its time. Alexander Kuprin started collecting the material for his work in Kiev in 1890s, and it is in this city that the novel’s action takes place. Speaking in 1909 to a local newspaper correspondent about prototypes, he commented: Characters I’ve made cannot be seen as copying real people. I picked up a lot of small details from the real life, but that was by no means copying the reality, which is something I detest doing.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Pit is a novel by Alexander Kuprin published in installments between 1909 and 1915, in Zemlya almanacs (1909 - Vol.3, 1914 - Vol.15, 1915 - Vol.16). The book, centering on a brothel, owned by a woman named Anna Markovna, caused much controversy in its time. Alexander Kuprin started collecting the material for his work in Kiev in 1890s, and it is in this city that the novel’s action takes place. Speaking in 1909 to a local newspaper correspondent about prototypes, he commented: Characters I’ve made cannot be seen as copying real people. I picked up a lot of small details from the real life, but that was by no means copying the reality, which is something I detest doing.