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In inviting a rethinking of ideas of foreignness and selfhood, this book explores Sino-British encounters in eighteenth-century English literature, providing detailed critical and literary analysis of individual texts pertaining to China from this period.
The author provides a synthesis of approaches to China in eighteenth-century English literature, involving fictional writing related to China, adaptations of Chinese source texts, and translations of Chinese literary works. By discussing various writings about tea and tea-drinking, Arthur Murphy's The Orphan of China (1759), Oliver Goldsmith's The Citizen of the World (1760-62), and Thomas Percy's Hau Kiou Choaan (1761), she highlights the significance of reading these texts not simply as documents of a historical kind, but as texts that are worthy of literary and artistic attention on the basis of their rich variety in genre, style, and themes. The author proposes that Chinese and British cultures are not antithetical entities: they exist in relation to one another and create possibilities in the continuing appreciation of diversity amidst a drive to universality.
This study will be primarily helpful to university students and professors of English literature, comparative literature, and history worldwide.
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In inviting a rethinking of ideas of foreignness and selfhood, this book explores Sino-British encounters in eighteenth-century English literature, providing detailed critical and literary analysis of individual texts pertaining to China from this period.
The author provides a synthesis of approaches to China in eighteenth-century English literature, involving fictional writing related to China, adaptations of Chinese source texts, and translations of Chinese literary works. By discussing various writings about tea and tea-drinking, Arthur Murphy's The Orphan of China (1759), Oliver Goldsmith's The Citizen of the World (1760-62), and Thomas Percy's Hau Kiou Choaan (1761), she highlights the significance of reading these texts not simply as documents of a historical kind, but as texts that are worthy of literary and artistic attention on the basis of their rich variety in genre, style, and themes. The author proposes that Chinese and British cultures are not antithetical entities: they exist in relation to one another and create possibilities in the continuing appreciation of diversity amidst a drive to universality.
This study will be primarily helpful to university students and professors of English literature, comparative literature, and history worldwide.