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This book makes fascinating connections between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation
The discussions in this book will have much to add to debates on the emotional and cognitive effects of television dramas on their audiences, and thus larger questions of what should or should not be represented on screen
The chapters explore a number of questions including:
This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art
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This book makes fascinating connections between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation
The discussions in this book will have much to add to debates on the emotional and cognitive effects of television dramas on their audiences, and thus larger questions of what should or should not be represented on screen
The chapters explore a number of questions including:
This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art