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First published in 1886, this dictionary provides a wealth of information on the leading painters and engravers of the late 19th century. It is intended as a supplement to George Stanley's earlier work, which covered the period up to 1816. The entries are organized alphabetically and include biographical information, critical assessments of the artists' work, and lists of their major works. The book is a valuable resource for art historians and enthusiasts alike, and offers a fascinating glimpse into the artistic trends and debates of the Victorian era.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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First published in 1886, this dictionary provides a wealth of information on the leading painters and engravers of the late 19th century. It is intended as a supplement to George Stanley's earlier work, which covered the period up to 1816. The entries are organized alphabetically and include biographical information, critical assessments of the artists' work, and lists of their major works. The book is a valuable resource for art historians and enthusiasts alike, and offers a fascinating glimpse into the artistic trends and debates of the Victorian era.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.