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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Surveillance, the Cold War, and Latin American Literature examines secret police reports on Gabriel Garcia Marquez, Pablo Neruda, Octavio Paz, Elena Poniatowska, Jose Revueltas, Otto Rene Castillo, Carlos Cerda, and other writers, from archives in Mexico, Chile, Guatemala, Uruguay, the German Democratic Republic, and the USA. Combining literary and cultural analysis, history, philosophy, and history of art, it establishes a critical dialogue between the spies’ surveillance and the writers’ novels, short stories, and poems, and presents a new take on Latin American modernity, tracing the trajectory of a modern gaze from the Italian Renaissance to the Cold War. It traces the origins of today’s surveillance society with sense of urgency and consequence that should appeal to academic and non-academic readers alike throughout the Americas, Europe and beyond.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Surveillance, the Cold War, and Latin American Literature examines secret police reports on Gabriel Garcia Marquez, Pablo Neruda, Octavio Paz, Elena Poniatowska, Jose Revueltas, Otto Rene Castillo, Carlos Cerda, and other writers, from archives in Mexico, Chile, Guatemala, Uruguay, the German Democratic Republic, and the USA. Combining literary and cultural analysis, history, philosophy, and history of art, it establishes a critical dialogue between the spies’ surveillance and the writers’ novels, short stories, and poems, and presents a new take on Latin American modernity, tracing the trajectory of a modern gaze from the Italian Renaissance to the Cold War. It traces the origins of today’s surveillance society with sense of urgency and consequence that should appeal to academic and non-academic readers alike throughout the Americas, Europe and beyond.