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The temporal travels through Constantinople in 1453, Constantinople in 1923, and Newfoundland and Labrador in 2017, follow a certain recurrence in Orthodox spirituality. The fantastic escape of a priest named Pantagathus, in 1453 Constantinople; the travels of Panagiotis in the evacuation of Constantinople in 1923; and the pursuits of Pete Tsiminis, in 2017-ravel the macrocosm of jest and the senescence of Orthodox heritage together, in a piquant and veritable story. There has not been a story of this type told, with the structural contiguity and with the stark honesty. Otus in Betulce does depict a semblance in the disparaged time periods, and the novel does accentuate the unseemliness of time.
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The temporal travels through Constantinople in 1453, Constantinople in 1923, and Newfoundland and Labrador in 2017, follow a certain recurrence in Orthodox spirituality. The fantastic escape of a priest named Pantagathus, in 1453 Constantinople; the travels of Panagiotis in the evacuation of Constantinople in 1923; and the pursuits of Pete Tsiminis, in 2017-ravel the macrocosm of jest and the senescence of Orthodox heritage together, in a piquant and veritable story. There has not been a story of this type told, with the structural contiguity and with the stark honesty. Otus in Betulce does depict a semblance in the disparaged time periods, and the novel does accentuate the unseemliness of time.