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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Since moving to New York City in 2012, Belfast-born visual artist Jonathan David Smyth has been photographing reflections of himself. Shot completely with his camera phone, this ongoing series of self-portraits combines issues of identity, displacement, belonging, and impermanence. As Smyth says, I make photographs to prove I am here. My work is cathartic, but I want other people to relate to what I am presenting. Just One More is a work of moments; it is a visual diary of my life in New York City, and these photographs are the mappings of where I have been. The pictures already exist; I am just stepping into them. Featuring fifty plates accompanied with handwritten captions, this monograph also includes a critical essay by the executive director of Photographic Center Northwest, Michelle Dunn Marsh, and a conversation between Jonathan David Smyth and photographer Dana Stirling.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Since moving to New York City in 2012, Belfast-born visual artist Jonathan David Smyth has been photographing reflections of himself. Shot completely with his camera phone, this ongoing series of self-portraits combines issues of identity, displacement, belonging, and impermanence. As Smyth says, I make photographs to prove I am here. My work is cathartic, but I want other people to relate to what I am presenting. Just One More is a work of moments; it is a visual diary of my life in New York City, and these photographs are the mappings of where I have been. The pictures already exist; I am just stepping into them. Featuring fifty plates accompanied with handwritten captions, this monograph also includes a critical essay by the executive director of Photographic Center Northwest, Michelle Dunn Marsh, and a conversation between Jonathan David Smyth and photographer Dana Stirling.