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With the third book in The Filmmaker’s Art series, Markus Innocenti takes a deep dive into Shot Listing - an often forgotten or dismissed aspect of the Director’s craft. With digital advances replacing many traditional techniques, the author argues that creating an ‘old-school’ Shot List may still be the smartest thing a filmmaker can do in the final days before Principal Photography begins, No other volume in The Filmmaker’s Art series covers a single subject so completely, or reveals in so much detail how a director thinks and prepares.
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With the third book in The Filmmaker’s Art series, Markus Innocenti takes a deep dive into Shot Listing - an often forgotten or dismissed aspect of the Director’s craft. With digital advances replacing many traditional techniques, the author argues that creating an ‘old-school’ Shot List may still be the smartest thing a filmmaker can do in the final days before Principal Photography begins, No other volume in The Filmmaker’s Art series covers a single subject so completely, or reveals in so much detail how a director thinks and prepares.