This publication, and the exhibition at the Samuel Dorsky Museum of Art that it accompanies, investigates the architect Steven Holl’s unique process of making architecture, the foundation of which is drawing, almost always by hand. The publication includes an extensive critical essay about Steven Holl and his process by exhibition curator Nina Stritzler-Levine, and additional essays by Kerry Dean Carso and Peter Olshavsky. The projects section that follows these chapters includes descriptions of the eleven projects that are the focus of the exhibition; the exhibition checklist, which corresponds with the organization of the installation; and photographs of the installation.