Symbolism in Tibetan Buddist Art: Meanings and Practical Applications

David C Huber,Dave Glantz

Symbolism in Tibetan Buddist Art: Meanings and Practical Applications
Format
Hardback
Publisher
Baronet 4 Tibet
Published
19 September 2019
Pages
110
ISBN
9780997566987

Symbolism in Tibetan Buddist Art: Meanings and Practical Applications

David C Huber,Dave Glantz

This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

The book, by using the actual full color art work painted by the Tibetan monks spanning a period of 600 years adds context and aids in the conceptualization of Buddhist philosophy. The art work symbols and the adjoining symbols provides an artistic progression of the philosophy, demonstrating the flow of thought that line drawings of a single symbol cannot provide.

The book provides in depth explanations of symbols, using the ancient scriptures and Buddha’s own teachings. It examines the Sanskrit words behind many of the symbols and what those words actually mean. As an example it looks at the Four-petaled Flower, the Sanskrit word dukkha, representing the Four Noble Truths that leads to the Dharma Wheel and the Eightfold Noble Path and the Sanskrit word samma that is integral to understanding that path. Over the centuries these symbols have evolved in their depictions to include, through art, the natural progression of the philosophical concepts.

Another of the strengths of the book is that the full color images are presented on the same page(s) as the conceptual explanations. This makes it much easier to understand and assimilate, no page turning required. There is also an index provided for the researcher to use in going deeper into the various components of the symbolism.

The book, by using Tibetan monks, lamas, geshes, in addition to Tibetan scholars at universities through out Tibet as the source for the information we have stayed true to the intended meaning and context of the symbols. There are some misconceptions about some symbols as to what they are and what they mean presented by other books on the subject. By using learned Tibetans inside of Tibet and at the monasteries that produce the art work in Tibet we have stayed true to the identification, thought process and conceptualization of the symbols.

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