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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Lilac Bowl, Melanie Wyllie’s third collection of short stories, is set in post-war Britain as it moves out of drab austerity into a new era of cosmopolitan affluence. With characteristic wit, imagination and empathy, Melanie Wyllie depicts a set of characters as diverse as the range of situations in which they find themselves. Some are caught up in the pursuit of better things (‘Snare’, ‘Charmed’, ‘A Trip to the Moon’, ‘The Lilac Bowl’), some are haunted by the past (‘But for the Grace of God’, ‘Shadows’), and some are trapped in an endless present (‘Toccata’, ‘Heartburn’, ‘Griffin’). All of them are distinctive – for their ambition, frustration, nostalgia, solitude, and romance – as they each face the consequences of their own quiet choices
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Lilac Bowl, Melanie Wyllie’s third collection of short stories, is set in post-war Britain as it moves out of drab austerity into a new era of cosmopolitan affluence. With characteristic wit, imagination and empathy, Melanie Wyllie depicts a set of characters as diverse as the range of situations in which they find themselves. Some are caught up in the pursuit of better things (‘Snare’, ‘Charmed’, ‘A Trip to the Moon’, ‘The Lilac Bowl’), some are haunted by the past (‘But for the Grace of God’, ‘Shadows’), and some are trapped in an endless present (‘Toccata’, ‘Heartburn’, ‘Griffin’). All of them are distinctive – for their ambition, frustration, nostalgia, solitude, and romance – as they each face the consequences of their own quiet choices