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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Fastlines Jazz Guitar Method Advanced in the third book in a set of nine created by the Guitar & Music Institute. This book, written by guitarist Ged Brockie continues from the Jazz Primer and Jazz Intermediate volumes.
This Advanced book includes twenty two jazz lines which includes examples of flat five substitution, lines in fourths, triadic substitution, contemporary and modern rhythm changes, scales built from the lydian mode, diminished lines and wide interval playing.
There is a complete solo included as well as five backing tracks in various styles including rhythm changes in G, altered chord progressions and lydian backing tracks. There is also a project section to help you get more from the material presented in this book which includes quartal harmony, movement of a half step, exploiting the flattened fifth and combining major arpeggios.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Fastlines Jazz Guitar Method Advanced in the third book in a set of nine created by the Guitar & Music Institute. This book, written by guitarist Ged Brockie continues from the Jazz Primer and Jazz Intermediate volumes.
This Advanced book includes twenty two jazz lines which includes examples of flat five substitution, lines in fourths, triadic substitution, contemporary and modern rhythm changes, scales built from the lydian mode, diminished lines and wide interval playing.
There is a complete solo included as well as five backing tracks in various styles including rhythm changes in G, altered chord progressions and lydian backing tracks. There is also a project section to help you get more from the material presented in this book which includes quartal harmony, movement of a half step, exploiting the flattened fifth and combining major arpeggios.