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The author presents a completely new, revolutionary approach towards music as the language of divinity, and towards musical performance as a way of revealing the inner, spiritual being of the listener as well as the performer. This book is of particular interest to musicians, composers and methodologists in search of new ways of composing, interpreting and playing classical music.
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The author presents a completely new, revolutionary approach towards music as the language of divinity, and towards musical performance as a way of revealing the inner, spiritual being of the listener as well as the performer. This book is of particular interest to musicians, composers and methodologists in search of new ways of composing, interpreting and playing classical music.