A stunning work, dazzling in its stinging exactitude, marvelous in its zinging intelligence, mobility and light touch. Solomon Black’s surprising and lovely book nimbly rises above the heaviness of the world, showing that his own gravity holds the key to lightness. -Laird Hunt, Pen/Faulkner finalist and author ofAnisfield-Wolf Book Award-winning Kind One A terrific, truly unique and compelling document! An enlightenment story for the dark ages of the 21st century, The Boy Who Cried Wolf’s Art of Sight is incredibly sure of itself as it twists and pokes its way into inventing an intuitive, experimental form that stretches all over but always lands in the right place. Close to music in the poetic, rhythmic sense of its visual images, this is a gripping and fully realized update of an ancient story, with a sure-footed sense of unity that never loses its way. Very impressive. -Sean Murphy, author of One Bird One Stone: 108 American Zen Stories What really happened to the Boy Who Cried Wolf? Was he disemboweled by savage animals and left to die from his wounds? Or did he survive insult and injury to find a better and longer life? The Boy Who Cried Wolf’s Art of Sight: On the Origin of the Speechless, Solomon Black’s radical revision of the familiar folktale, casts him as a visionary, a prophet who foretells impending disaster about to be visited on his home village in an unnamed country. Unheeded by family and neighbors, the boy flees as paramilitary militias descend on the village in a murderous rampage. This fiercely imagined graphic novel follows the ambiguous hero to an anonymous city and beyond, as he reinvents himself, consorts with street-dwellers and smugglers, and eventually becomes a Buddhist monk who finds enlightenment in a considered act of self-immolation. Far from a simply linear account of a dubious hero from a well-known fable, this densely packed and intensely vivid volume-a documentary film in book form, with ravishing photographic images-weaves in the ancient myth of Orpheus in the Underworld, the biblical tale of Ishmael and Isaac, Zen koans, fragments of Psalms, extracts from Talmud and poet Philip Whalen, references to Kafka and Peter and the Wolf, and submerged re-translations of Rumi. On top of all this are numerous accounts of self-immolation, spanning from the ancient Greek Cynic philosopher Peregrinus and mythical Chinese renunciate Ning Fengzi, to the more recent and better-known Vietnamese monk Thich Quang-Duc and five mostly forgotten Americans who burned themselves protesting the Vietnam War, to the hundred-plus contemporary Tibetans who have died from self-burning in protest against the Chinese occupation and oppression of Tibet. As it draws on old stories and modern atrocities to trace the Boy Who Cried Wolf’s life after the events in that famous morality tale, with twists and turns every step of the way, this dark and grave comic book is also a dream-telling, a vision journey, a religious tract of sorrow and awakening, with flashes of humor and grace and unexpected lightness, and startling images pulling everything together.