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New York-based artist Ulrike Muller (born 1971) uses abstraction as an idiom that can be figuratively appropriated, emotionally charged and politically connotative. In addition to exploring her art in varied mediums, this book features the artist’s readings of other artworks that relate to her interest in the vocabularies of abstraction and the rendering of bodies.
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New York-based artist Ulrike Muller (born 1971) uses abstraction as an idiom that can be figuratively appropriated, emotionally charged and politically connotative. In addition to exploring her art in varied mediums, this book features the artist’s readings of other artworks that relate to her interest in the vocabularies of abstraction and the rendering of bodies.