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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jonathan Reeve Price starts with one of Hokusai's views, disassembles it, constructs a new picture out of the pieces, as a visual critique, and adds floating text chunks-brief observations, snippets of poetry, stray thoughts.
Thumbnails of the originals let you compare the before-and-after, gauging Hokusai's wood-block print against the pixelated, sliced, and diced collage, and the scattered texts in which Price reflects on Hokusai's drive for immortality, his exploitation of newly available pigments, his fondness for the interplay of text and image, and his love for the ordinary workers and travelers out in the country.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jonathan Reeve Price starts with one of Hokusai's views, disassembles it, constructs a new picture out of the pieces, as a visual critique, and adds floating text chunks-brief observations, snippets of poetry, stray thoughts.
Thumbnails of the originals let you compare the before-and-after, gauging Hokusai's wood-block print against the pixelated, sliced, and diced collage, and the scattered texts in which Price reflects on Hokusai's drive for immortality, his exploitation of newly available pigments, his fondness for the interplay of text and image, and his love for the ordinary workers and travelers out in the country.