Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Neighbor Blood, Richard Frost’s newest collection of poems, demonstrates a fluid ease within a range of poetic idioms - ballad meter, free verse, the sonnet, and a dwindling sestina. Frost, also a jazz musician, writes poems that seem loose, genuine, off-the-cuff - like jazz riffs that just happen. But in poetry - as in music - Frost has earned his ease with practice. Frost’s free verse includes several poems on jazz, which spotlight - and demonstrate - the deceptively casual attitude of syncopated rhythm. Jazz for Kirby,
a long poem at the book’s center, for instance, formally echoes the precision - and the necessity - of the jazz drummer and his distinctive diction: ‘I mean. A dup, a-dup-a and a-dup-a zit tah./Like when it’s a-poppa poppa pie, baby, you carry everything.’ With a matter-of-fact sincerity and endearing self-deprecating humor, Richard Frost surveys childhood mysteries, adolescent angst, family erosions - the lonely comedies of our survival. Tremendously tender, these poems are parables concerned with the moral challenges of everyday life.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Neighbor Blood, Richard Frost’s newest collection of poems, demonstrates a fluid ease within a range of poetic idioms - ballad meter, free verse, the sonnet, and a dwindling sestina. Frost, also a jazz musician, writes poems that seem loose, genuine, off-the-cuff - like jazz riffs that just happen. But in poetry - as in music - Frost has earned his ease with practice. Frost’s free verse includes several poems on jazz, which spotlight - and demonstrate - the deceptively casual attitude of syncopated rhythm. Jazz for Kirby,
a long poem at the book’s center, for instance, formally echoes the precision - and the necessity - of the jazz drummer and his distinctive diction: ‘I mean. A dup, a-dup-a and a-dup-a zit tah./Like when it’s a-poppa poppa pie, baby, you carry everything.’ With a matter-of-fact sincerity and endearing self-deprecating humor, Richard Frost surveys childhood mysteries, adolescent angst, family erosions - the lonely comedies of our survival. Tremendously tender, these poems are parables concerned with the moral challenges of everyday life.