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For Richard Sommer the business of a poem is not to persuade to the truth of an idea or to generalize on experience, but to play with the facts of experience and to play one idea against another. An evocative collection, these are poems that offer, in a variety of emotional ranges, a deep sense of the connections between inter-human experience, artistic expression, and the natural world. Sommer served as a volunteer game warden in the Eastern Townships of Quebec during poaching season, a dangerous, but for him, necessary, undertaking. Fawn Bones is, in part, the result of a poet standing between nature and lawlessness.
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For Richard Sommer the business of a poem is not to persuade to the truth of an idea or to generalize on experience, but to play with the facts of experience and to play one idea against another. An evocative collection, these are poems that offer, in a variety of emotional ranges, a deep sense of the connections between inter-human experience, artistic expression, and the natural world. Sommer served as a volunteer game warden in the Eastern Townships of Quebec during poaching season, a dangerous, but for him, necessary, undertaking. Fawn Bones is, in part, the result of a poet standing between nature and lawlessness.