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In Damnee Manon, Sacree Sandra, Michel Tremblay examines the sacred and the profane-their similarities and differences; how they merge and become one another. The play consists of two interweaving monologues on religion and sex spoken by Manon (from Forever Yours, Marie-Lou) and Sandra (from Hosanna). In the end, both characters realize that they have been invented by the author.
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In Damnee Manon, Sacree Sandra, Michel Tremblay examines the sacred and the profane-their similarities and differences; how they merge and become one another. The play consists of two interweaving monologues on religion and sex spoken by Manon (from Forever Yours, Marie-Lou) and Sandra (from Hosanna). In the end, both characters realize that they have been invented by the author.