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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One of the very first books to take Stephen King seriously, Landscape of Fear (originally published in 1988) reveals the source of King’s horror in the sociopolitical anxieties of the post-Vietnam, post-Watergate era. In this groundbreaking study, Tony Magistrale shows how King’s fiction transcends the escapism typical of its genre to tap into our deepest cultural fears:
that the government we have installed through the democratic process is not only corrupt but actively pursuing our destruction, that our technologies have progressed to the point at which the individual has now become expendable, and that our fundamental social institutions - school, marriage, workplace, and the church - have, beneath their veneers of respectability, evolved into perverse manifestations of narcissism, greed, and violence.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One of the very first books to take Stephen King seriously, Landscape of Fear (originally published in 1988) reveals the source of King’s horror in the sociopolitical anxieties of the post-Vietnam, post-Watergate era. In this groundbreaking study, Tony Magistrale shows how King’s fiction transcends the escapism typical of its genre to tap into our deepest cultural fears:
that the government we have installed through the democratic process is not only corrupt but actively pursuing our destruction, that our technologies have progressed to the point at which the individual has now become expendable, and that our fundamental social institutions - school, marriage, workplace, and the church - have, beneath their veneers of respectability, evolved into perverse manifestations of narcissism, greed, and violence.