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Bravo, Shakespeare. Even today, his plays challenge celebrated actors to hone their skills and electrify audiences. Imagine the process actors undergo to recreate these spellbinding roles on stage. In an interview with the author, Kevin Kline declared that playing Shakespeare ‘uses a different muscle group in your head’. Liev Schreiber said, ‘When I perform Shakespeare, all my pistons are firing’. Performing Shakespeare is tantamount to earning a black belt in acting. Actors Talk About Shakespeare features personal interviews with a stellar collection of prominent American, Canadian, and British performers of Shakespeare onstage, including Kevin Kline, Liev Schreiber, Judi Dench, Kenneth Branagh, Derek Jacobi, Stacy Keach, Zoe Caldwell, Martha Henry, William Hutt, Tony Church, Nicholas Pennell, and Geoff Hutchings. In conversations equivalent to a magician telling his or her secrets, Mary Z. Maher uncovers the actors’ process. The book speaks to theater patrons, to actors both novice and experienced, and to educators who teach Shakespeare. Each chapter profiles a career in context, using the actor’s words along with supporting research material. The result is a treasury of talents, tactics, and tales from veteran performers who return often to Shakespeare from careers in film and television.
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Bravo, Shakespeare. Even today, his plays challenge celebrated actors to hone their skills and electrify audiences. Imagine the process actors undergo to recreate these spellbinding roles on stage. In an interview with the author, Kevin Kline declared that playing Shakespeare ‘uses a different muscle group in your head’. Liev Schreiber said, ‘When I perform Shakespeare, all my pistons are firing’. Performing Shakespeare is tantamount to earning a black belt in acting. Actors Talk About Shakespeare features personal interviews with a stellar collection of prominent American, Canadian, and British performers of Shakespeare onstage, including Kevin Kline, Liev Schreiber, Judi Dench, Kenneth Branagh, Derek Jacobi, Stacy Keach, Zoe Caldwell, Martha Henry, William Hutt, Tony Church, Nicholas Pennell, and Geoff Hutchings. In conversations equivalent to a magician telling his or her secrets, Mary Z. Maher uncovers the actors’ process. The book speaks to theater patrons, to actors both novice and experienced, and to educators who teach Shakespeare. Each chapter profiles a career in context, using the actor’s words along with supporting research material. The result is a treasury of talents, tactics, and tales from veteran performers who return often to Shakespeare from careers in film and television.