Neihardt’s work has recently been critiqued by scholars who maintain that the author filtered and corrupted Black Elk’s teachings through a European spiritual and political lens. In this book, Brian Holloway offers a rather different view, making a convincing case that Neihardt quite consciously attempted to use his literary craftsmanship to provide the reader with direct and immediate access to the teachings of the Oglala elder. Using Neihardt’s original hand written notes and early manuscript drafts, Holloway demonstrates the poet’s careful and deliberate re-creation of Black Elk’s spiritual world in order to induce a transcendent experience in the reader. Through exhaustive research into Neihardt’s biographical materials, published philosophical and metaphysical writings, and volumes of taped lectures, Holloway examines the sources of the book’s production as well as the reactions to and the implications of his literary portrayal of the spiritual world of the Oglala.