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Jean Seznec’s La survivance des dieux antiques was first published at the Warburg Institute in 1940 and translated into English as The Survival of the Pagan Gods in 1953 . It is a classic survey of the afterlife of the deities of classical Antiquity in art and literature during the Middle Ages and Renaissance. This volume of essays is the product of a conference held at the Warburg Institute in 2004, in collaboration with the French research group Polymnia. It presents the current state of scholarship regarding a number of the themes set out by Seznec, covering areas from medieval astronomy to sixteenth-century allegory, and charting the course of the long-term iconographical traditions of mythological figures as well as discussing individual transformations of classical deities at specific moments in time. As in Seznec’s book, the late-medieval and Renaissance mythographical handbooks which were the principal sources of knowledge about classical mythology for contemporary artists form an overarching topic.
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Jean Seznec’s La survivance des dieux antiques was first published at the Warburg Institute in 1940 and translated into English as The Survival of the Pagan Gods in 1953 . It is a classic survey of the afterlife of the deities of classical Antiquity in art and literature during the Middle Ages and Renaissance. This volume of essays is the product of a conference held at the Warburg Institute in 2004, in collaboration with the French research group Polymnia. It presents the current state of scholarship regarding a number of the themes set out by Seznec, covering areas from medieval astronomy to sixteenth-century allegory, and charting the course of the long-term iconographical traditions of mythological figures as well as discussing individual transformations of classical deities at specific moments in time. As in Seznec’s book, the late-medieval and Renaissance mythographical handbooks which were the principal sources of knowledge about classical mythology for contemporary artists form an overarching topic.