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Beginning in the early 1980s, artist Gianluigi Colin began to delve into the daily newspapers to extract words, images, and signs that caught his attention. With an eye on the world around him, Colin assembled a complex, varied, and layered vision, documenting daily life as it unfolded and became history. The mission he has set for himself is to clothe the news headlines and events, while systematically devising his own newspaper, creating an ongoing dialogue with the international press. This visual autobiography reveals the artist s evolving confrontation between the two worlds of imagery and words, while offering a visual account of the graphic projects that Colin realized through his role as art director for the leading newspaper Corriere della Sera.
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Beginning in the early 1980s, artist Gianluigi Colin began to delve into the daily newspapers to extract words, images, and signs that caught his attention. With an eye on the world around him, Colin assembled a complex, varied, and layered vision, documenting daily life as it unfolded and became history. The mission he has set for himself is to clothe the news headlines and events, while systematically devising his own newspaper, creating an ongoing dialogue with the international press. This visual autobiography reveals the artist s evolving confrontation between the two worlds of imagery and words, while offering a visual account of the graphic projects that Colin realized through his role as art director for the leading newspaper Corriere della Sera.