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The year 2000 marks the 100th birthday of theatre and opera composer Kurt Weill (1900-1950). In celebration of this occasion, 100 Years of Kurt Weill centenary features recently rediscovered and previously untranslated dramatic works by Weill and critical essays and articles reflecting on his legacy and influence. Reviews and reports on centenary productions from around the world are included along with panel discussions by directors and musicians on Weill’s cultural identity. The work makes an addition to the commemoration of the anniversary with the English-language publication of two major Weill librettos, both translated and introduced by international opera director Jonathan Eaton. Written in 1925, Royal Palace is a one-act opera with a libretto by surrealist/expressionist poet-playwright Yvan Goll. It was one of the first operas to incorporate film. The other work, Die Burgschaft (The Pledge), was inspired by a dark social parable by Johann Gottfried von Herder and written in collaboration with Caspar Neher. The piece was banned in 1933 by the Nazi regime because of its controversial content and was not restaged in its original form until Eaton’s 1998 and 1999 productions in Bielefeld, Germany, and at the Spoleto Festival US. This special issue specifically addresses the theatrical context of Weill’s music, exploring new perspectives on the artist and his work and on recent developments in Weill scholarship. These articles, combined with the previously unpublished works, should ensure that 100 years of Kurt Weill makes a considerable contribution to the centenary commemoration of his birth.
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The year 2000 marks the 100th birthday of theatre and opera composer Kurt Weill (1900-1950). In celebration of this occasion, 100 Years of Kurt Weill centenary features recently rediscovered and previously untranslated dramatic works by Weill and critical essays and articles reflecting on his legacy and influence. Reviews and reports on centenary productions from around the world are included along with panel discussions by directors and musicians on Weill’s cultural identity. The work makes an addition to the commemoration of the anniversary with the English-language publication of two major Weill librettos, both translated and introduced by international opera director Jonathan Eaton. Written in 1925, Royal Palace is a one-act opera with a libretto by surrealist/expressionist poet-playwright Yvan Goll. It was one of the first operas to incorporate film. The other work, Die Burgschaft (The Pledge), was inspired by a dark social parable by Johann Gottfried von Herder and written in collaboration with Caspar Neher. The piece was banned in 1933 by the Nazi regime because of its controversial content and was not restaged in its original form until Eaton’s 1998 and 1999 productions in Bielefeld, Germany, and at the Spoleto Festival US. This special issue specifically addresses the theatrical context of Weill’s music, exploring new perspectives on the artist and his work and on recent developments in Weill scholarship. These articles, combined with the previously unpublished works, should ensure that 100 years of Kurt Weill makes a considerable contribution to the centenary commemoration of his birth.