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Songs of the Unsung is the autobiography of Los Angeles jazz musician and activist Horace Tapscott (1934-1999). A pianist who ardently believed in the power of music to connect people, Tapscott was a beloved and influential character who touched many yet has remained unknown to the majority of Americans. In addition to being his story, Songs of the Unsung is the story of Los Angeles’s cultural and political evolution over the last half of the 20th century, of the origins of many of the most important avant-garde musicians still on the scene, and of a rich and varied body of music. Tapscott’s narrative covers his early life in segregated Houston, his move to California in 1943, life as a player in the Air Force band in the early 50s, and his travels with the Lionel Hampton Band. He reflects on how the Pan Afrikan Peoples Arkestra (the Ark ), an organization he founded in 1961 to preserve and spread African and African-American music, eventually became the Union of God’s Musicians and Artists Ascension - a group that not only performed musically but was active in the civil rights movement, youth education, and community programmes.
Songs of the Unsung also includes Tapscott’s descriptions of the Watts neighborhood insurrection of 1965 and the Los Angeles upheavals of 1992, interactions with both the Black Panthers and the L.A.P.D., his involvement in Motown’s west coast scene, the growth of his musical reputation abroad, and stories about many of his musician-activist friends, including Billy Higgins, Don Cherry, Buddy Collette, Arthur Blythe, Lawrence and Wilber Morris, Linda Hill, Elaine Brown, Stanley Crouch, and Sun Ra.
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Songs of the Unsung is the autobiography of Los Angeles jazz musician and activist Horace Tapscott (1934-1999). A pianist who ardently believed in the power of music to connect people, Tapscott was a beloved and influential character who touched many yet has remained unknown to the majority of Americans. In addition to being his story, Songs of the Unsung is the story of Los Angeles’s cultural and political evolution over the last half of the 20th century, of the origins of many of the most important avant-garde musicians still on the scene, and of a rich and varied body of music. Tapscott’s narrative covers his early life in segregated Houston, his move to California in 1943, life as a player in the Air Force band in the early 50s, and his travels with the Lionel Hampton Band. He reflects on how the Pan Afrikan Peoples Arkestra (the Ark ), an organization he founded in 1961 to preserve and spread African and African-American music, eventually became the Union of God’s Musicians and Artists Ascension - a group that not only performed musically but was active in the civil rights movement, youth education, and community programmes.
Songs of the Unsung also includes Tapscott’s descriptions of the Watts neighborhood insurrection of 1965 and the Los Angeles upheavals of 1992, interactions with both the Black Panthers and the L.A.P.D., his involvement in Motown’s west coast scene, the growth of his musical reputation abroad, and stories about many of his musician-activist friends, including Billy Higgins, Don Cherry, Buddy Collette, Arthur Blythe, Lawrence and Wilber Morris, Linda Hill, Elaine Brown, Stanley Crouch, and Sun Ra.