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This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. Contributors employ the approaches of queer theory to move beyond conventional readings and to re-examine aspects of the cinematic gaze. The essays examine a wide array of films, including Calamity Jane , Rear Window , The Hunger , Heavenly Creatures , and Bound . they discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock, and look at independent queer cinema, including works by Kenneth Anger and Derek Jarman.
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This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. Contributors employ the approaches of queer theory to move beyond conventional readings and to re-examine aspects of the cinematic gaze. The essays examine a wide array of films, including Calamity Jane , Rear Window , The Hunger , Heavenly Creatures , and Bound . they discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock, and look at independent queer cinema, including works by Kenneth Anger and Derek Jarman.