Reflets reciproques: A Prismatic Reading of Stephane Mallarme and Helene Cixous evokes the refractory aspect of a prism that bends and deflects light in order to produce a spectrum of twentieth-century thought emanating from the late nineteenth-century French literary avant-garde. Because the works of Mallarme and Cixous are often described as hermetic and illisible, Jacques Derrida intervenes to play the role of intermediary through his separate writings on these poets. Important questions arise: How does the elliptical writing of Mallarme relate to the hyperbolic writing of Cixous? What common strategies emerge and how do these strategies address the critical areas of sexual difference and political testimony for each writer?