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Posing questions that Soviet critics found difficult to confront, the author examines the effects of exile and religion on the content and form of Maxim Gorky’s plays as well as the role played by women, and the personal and political implications of motherhood.
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Posing questions that Soviet critics found difficult to confront, the author examines the effects of exile and religion on the content and form of Maxim Gorky’s plays as well as the role played by women, and the personal and political implications of motherhood.