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This volume traces the way in which the poetry of Charles Tomlinson evolved from the 1940s to the 1990s as an acoustic means of seeing and voicing the physical world. Jointly discussing for the first time the auditory effects of the verse and i
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This volume traces the way in which the poetry of Charles Tomlinson evolved from the 1940s to the 1990s as an acoustic means of seeing and voicing the physical world. Jointly discussing for the first time the auditory effects of the verse and i