Visual Art as Theology is a post-critical aesthetics for theology based on the epistemology of Michael Polanyi. This aesthetics is employed in examining Paul Tillich’s philosophy of art. Polanyi’s epistemology is extended into an aesthetics which moves beyond the impasse left by Tillich’s work in art and theology. This book demonstrates an appreciation of the possibilities and problems of Tillich’s thought, and moves beyond Tillich towards a more integrative program.