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This study examines the concept of inspiration in Thomas Mann’s major novels and the redemptive possibilities of the artist vis-a-vis his society. Mann’s high moral seriousness is revealed in his belief that the artist embodies the society’s concealed illness and through his art provides the possibility of a healing catharsis.
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This study examines the concept of inspiration in Thomas Mann’s major novels and the redemptive possibilities of the artist vis-a-vis his society. Mann’s high moral seriousness is revealed in his belief that the artist embodies the society’s concealed illness and through his art provides the possibility of a healing catharsis.