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This study traces the reception of Wolfgang Koeppen’s postwar novels, compares their stylistc aspects, analyzes the social criticism, and shows the thematic unity of a trilogy which warns of the dangers of political restoration and neo-fascism.
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This study traces the reception of Wolfgang Koeppen’s postwar novels, compares their stylistc aspects, analyzes the social criticism, and shows the thematic unity of a trilogy which warns of the dangers of political restoration and neo-fascism.