Anne Finch and Her Poetry is a critical examination of the life and works of the foremost English woman poet of the 18th century. The biography places Anne Finch (1661-1720) in her social and literary milieu and includes discussion of such topics as love and marriage, female friendships, melancholy and nature as they relate both to Finch’s life and to her poetry. Barbara McGovern gives considerable attention to the methods by which Finch developed her artistry and molded a largely masculine literary tradition to her own designs through a variety of rhetorical and stylistic devices. She examines the entire body of Finch’s work, including two verse plays and a number of previously unpublished poems and letters, and corrects numerous misconceptions about the poet and her work. Though recognized in her lifetime as a poet of talent, for nearly 200 years Finch has been overlooked or, when anthologized, misrepresented. McGovern focuses on both the historical place and the displacement of Finch in Restoration and early 18th-century England in terms of her involvement with Britain’s most critical religious and political controversies. An Anglican and Royalist who along with her husband was attached to the Stuart court at the time of the Glorious Revolution, Finch was an outsider because of her politics and religion as well as her gender. Despite her marginal status in society, Anne Finch was able to develop her poetic identity in part by defining her relationships with other early women writers, including Katherine Philips and Aphra Behn. Her female friendships, as well as aristocratic family ties and titled position, gave her access to a number of the most famous literary figures of her age, in particular Alexander Pope and Jonathan Swift.