Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Prolific director Howard Hawks made films in nearly every genre, from gangster movies like
Scarface
to comedies like
Bringing Up Baby
and
Monkey Business
and westerns like
Rio Bravo.
In this new edition of a classic text, author Robin Wood explores the ways in which Hawks pushed the boundaries of each genre and transformed the traditional forms in new, interesting, and creative ways. This reprint also contains an exciting new introduction by Wood, which shows how his thinking about Hawks has deepened over time without fundamentally changing. Since its original publication in 1972, Wood’s
Howard Hawks
has set the terms for virtually all subsequent discussions of the director. The provocative chapters demonstrate the ways in which Hawks’s films were affected by the director’s personality and way of looking at and feeling things, and by his celebration of instinct, selfrespect, group responsibility, and male camaraderie. Wood’s connections between the professionalism of Hawks’s action films and comedies, with their
lure of irresponsibility,
has become a standard way of conceptualizing Hawks’s films and the model to which all later critical work has had to respond. This book remains as contemporary as when it was first released, although it is grounded in the auteur period of its publication.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Prolific director Howard Hawks made films in nearly every genre, from gangster movies like
Scarface
to comedies like
Bringing Up Baby
and
Monkey Business
and westerns like
Rio Bravo.
In this new edition of a classic text, author Robin Wood explores the ways in which Hawks pushed the boundaries of each genre and transformed the traditional forms in new, interesting, and creative ways. This reprint also contains an exciting new introduction by Wood, which shows how his thinking about Hawks has deepened over time without fundamentally changing. Since its original publication in 1972, Wood’s
Howard Hawks
has set the terms for virtually all subsequent discussions of the director. The provocative chapters demonstrate the ways in which Hawks’s films were affected by the director’s personality and way of looking at and feeling things, and by his celebration of instinct, selfrespect, group responsibility, and male camaraderie. Wood’s connections between the professionalism of Hawks’s action films and comedies, with their
lure of irresponsibility,
has become a standard way of conceptualizing Hawks’s films and the model to which all later critical work has had to respond. This book remains as contemporary as when it was first released, although it is grounded in the auteur period of its publication.