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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In
Your Average Nigga , Vershawn Ashanti Young uses his own experiences to examine how black masculinity is shaped by identity performances of racial authenticity, academic literacy, class mobility, and sexuality. Moving between autobiography, autoethnography, and scholarly analysis, Young critiques proponents of
code-switching
whose solution to the black
literacy gap
requires inner-city youth to adopt white English vernacular at school and to reserve black English vernacular for home.
Your Average Nigga
exposes the factors that make black racial identity incompatible with literacy for blacks, especially black males. Drawing on scholarship in both performance theory and African American literary and cultural studies, Young argues that exaggerated perceptions of the gap between black and white linguistic performances harm inner-city blacks by requiring them to choose between abandoning their customary ways of speaking and behaving at the risk of alienating themselves from their families and communities and retaining their speech and behavior as a marker of racial authenticity while isolating themselves from mainstream society. Young also shows that exaggerated perceptions of the gap between black and white racial identities leave blacks in the impossible position of either trying to be white or forever struggling to prove that they are
black enough.
For men, this also becomes an endless struggle to prove that they are masculine enough. Ultimately, Young argues that far from denaturalizing supposedly fixed identity categories, as many theorists have contended, racial performance only reinscribes the essentialism that it is believed to subvert. Scholars and teachers of rhetoric, performance studies, and African American studies will enjoy this insightful volume.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In
Your Average Nigga , Vershawn Ashanti Young uses his own experiences to examine how black masculinity is shaped by identity performances of racial authenticity, academic literacy, class mobility, and sexuality. Moving between autobiography, autoethnography, and scholarly analysis, Young critiques proponents of
code-switching
whose solution to the black
literacy gap
requires inner-city youth to adopt white English vernacular at school and to reserve black English vernacular for home.
Your Average Nigga
exposes the factors that make black racial identity incompatible with literacy for blacks, especially black males. Drawing on scholarship in both performance theory and African American literary and cultural studies, Young argues that exaggerated perceptions of the gap between black and white linguistic performances harm inner-city blacks by requiring them to choose between abandoning their customary ways of speaking and behaving at the risk of alienating themselves from their families and communities and retaining their speech and behavior as a marker of racial authenticity while isolating themselves from mainstream society. Young also shows that exaggerated perceptions of the gap between black and white racial identities leave blacks in the impossible position of either trying to be white or forever struggling to prove that they are
black enough.
For men, this also becomes an endless struggle to prove that they are masculine enough. Ultimately, Young argues that far from denaturalizing supposedly fixed identity categories, as many theorists have contended, racial performance only reinscribes the essentialism that it is believed to subvert. Scholars and teachers of rhetoric, performance studies, and African American studies will enjoy this insightful volume.