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This work explores the analogical relationship between early German Romantic subjectivity and the British psychoanalyst D.W. Winnicott’s notion of the intermediate area. The author views Novalis (Friedrich von Hardenberg 1772-1801) through the lens of Winnicott’s theories.
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This work explores the analogical relationship between early German Romantic subjectivity and the British psychoanalyst D.W. Winnicott’s notion of the intermediate area. The author views Novalis (Friedrich von Hardenberg 1772-1801) through the lens of Winnicott’s theories.