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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In 1941, while studying folklore at Wayne University with Professor Emelyn Gardner, Bruna Todesco collected from her mother, Clementina, the twenty-two marchen and legends presented in this book. Bruna, her mother, and her father, John, immigrated to America in 1930 from their native village of Faller in the Veneto region of northern Italy. Not just made up of the recorded texts, this book is also built on the reminiscences of that storyteller and some of her old neighbors in her birthplace, and is a record by two resourceful fieldworkers of what it takes to study memory culture. The result is a work that greatly enriches our understanding of who told (and tells) marchen to whom, why and how they are told, and, perhaps most important, under what conditions.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In 1941, while studying folklore at Wayne University with Professor Emelyn Gardner, Bruna Todesco collected from her mother, Clementina, the twenty-two marchen and legends presented in this book. Bruna, her mother, and her father, John, immigrated to America in 1930 from their native village of Faller in the Veneto region of northern Italy. Not just made up of the recorded texts, this book is also built on the reminiscences of that storyteller and some of her old neighbors in her birthplace, and is a record by two resourceful fieldworkers of what it takes to study memory culture. The result is a work that greatly enriches our understanding of who told (and tells) marchen to whom, why and how they are told, and, perhaps most important, under what conditions.