In his groundbreaking new study, Permissible Narratives: The Promise of Latino/a Literature, Christopher Gonzalez examines the difficulties Latina/o writers face in writing beyond the narrow expectations of U.S. readership in the stories they tell. Gonzalez argues that a constrained conception of the possibilities of storytelling by and about Latinos diminishes the development and progression of narrative form. Through an examination of Latina/o writers against the a priori mode of engaging with nonethnic literature in the United States, Gonzalez explores the limitations and challenges Latina/o authors have confronted via the shaping power of their narratives to reach a sustainable audience. Bringing together cultural critique, memory, narratology, cognition, and comprehension, Gonzalez examines Latina/o authors–such as Oscar Zeta Acosta, Gloria Anzaldua, Piri Thomas, Giannina Braschi, Gilbert Hernandez, Sandra Cisneros, and Junot Diaz–investigating how they successfully, and sometimes unsuccessfully, use the expansive canvas of narrative form to capture the imaginations of an open-minded readership. Permissible Narratives highlights both the inequitable accessibility of narrative devices and, crucially, the daring of Latina/o authors to nurture a readership to afford the same literary deference to them that is so often afforded to white, male, straight authors.