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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In Building Natures, Julia Daniel establishes the influence of landscape architecture, city planning, and parks management on American poetry to show how modernists engaged with the green worlds and social playgrounds created by these new professions in the early twentieth century. The modern poets who capture these parks in verse explore the aesthetic principles and often failed democratic ideals embedded in the designers’ verdant architectures. The poetry of Carl Sandburg, Wallace Stevens, William Carlos Williams, and Marianne Moore foregrounds the artistry behind our most iconic green spaces. At the same time, it demonstrates how parks framed, rather than ameliorated, civic anxieties about an increasingly diverse population living and working in dense, unhealthy urban centers.
Through a combination of ecocriticism, urban studies, and historical geography, Building Natures unveils the neglected urban context for seemingly natural landscapes in several modernist poems, such as Moore’s
An Octopus
and Stevens’s Notes Toward a Supreme Fiction, while contributing to the dismantling of the organic-mechanic divide in modernist studies and ecocriticism.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In Building Natures, Julia Daniel establishes the influence of landscape architecture, city planning, and parks management on American poetry to show how modernists engaged with the green worlds and social playgrounds created by these new professions in the early twentieth century. The modern poets who capture these parks in verse explore the aesthetic principles and often failed democratic ideals embedded in the designers’ verdant architectures. The poetry of Carl Sandburg, Wallace Stevens, William Carlos Williams, and Marianne Moore foregrounds the artistry behind our most iconic green spaces. At the same time, it demonstrates how parks framed, rather than ameliorated, civic anxieties about an increasingly diverse population living and working in dense, unhealthy urban centers.
Through a combination of ecocriticism, urban studies, and historical geography, Building Natures unveils the neglected urban context for seemingly natural landscapes in several modernist poems, such as Moore’s
An Octopus
and Stevens’s Notes Toward a Supreme Fiction, while contributing to the dismantling of the organic-mechanic divide in modernist studies and ecocriticism.