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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Twenty contributors consider violence in the works of such acclaimed writers as Adrienne Rich, Harriet Jacobs, Virgnia Woolf, and Audre Lorde, and such too little known authors as Senegal’s Mariama Ba and Aminata Sow Fall, Lebanon’s Etel Adnan, and the Jamaican Sistren Collective. The cross-cultural range of works encompasses many forms of violence, overt and covert: sexual abuse, the colonial experience, the ravages of cancer, hostility between mothers and daughters, warfare. The contributors look at the variety of responses to violence and address the costs of breaking cultural taboos against speaking out as well as the strategies women use to violate social expectations without forfeiting the chance to be heard. They show that th differences in women’s lives and responses to violence can help us begin to envision a world in which violence is no longer acceptable.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Twenty contributors consider violence in the works of such acclaimed writers as Adrienne Rich, Harriet Jacobs, Virgnia Woolf, and Audre Lorde, and such too little known authors as Senegal’s Mariama Ba and Aminata Sow Fall, Lebanon’s Etel Adnan, and the Jamaican Sistren Collective. The cross-cultural range of works encompasses many forms of violence, overt and covert: sexual abuse, the colonial experience, the ravages of cancer, hostility between mothers and daughters, warfare. The contributors look at the variety of responses to violence and address the costs of breaking cultural taboos against speaking out as well as the strategies women use to violate social expectations without forfeiting the chance to be heard. They show that th differences in women’s lives and responses to violence can help us begin to envision a world in which violence is no longer acceptable.