In a series of treatments of his key roles, including Rafael in The Brave, Bon Bon in Before Night Falls, Jack Kerouac in The Source, and the long list of acclaimed performances from Gilbert Grape to Cap'n Jack Sparrow, we learn of Johnny onscreen in terms of male sexuality, space travel, optical experience, nineteenth-century American capitalism, Orientalism, the vulnerability of performance, the perils of sleep, comedy, the myth of the West, Scrooge McDuck, Francois Truffaut, and more. Johnny’s face, Johnny’s gaze, Johnny’s aging, and Johnny’s understatement are shown to be inextricably linked to our own desperate need to plumb performance, style, and screen for a grounding of reality in this everaccelerating world of fragmentation and insecurity. Both deeply intriguing and perpetually elusive, Depp is revealed as the central screen performer of the contemporary age, the symbol of performance itself. No thinker has meditated on Johnny Depp this way before - and surely not in a manner worthly of the object of scrutiny.